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ince 1979 the Westfield Center has sponsored more than thirty conferences, led five international study tours, published two landmark monographs and its own quarterly newsletter, and produced or collaborated on the production of many workshops and concerts.
Here follows a list of our past major academic programs:
2011
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Improvisation and Organ PedagogyNovember 10-13, 2011 EROI Festival, Eastman School of Music, Rochester, NY. Please visit EROI website for more information.
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Keyboard Culture in Eighteenth-Century Berlin and the German Sense of History, March 10-13, Ithaca, New York.
2010
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Playing Chopin His Way: Romantic Pianos and Performance Practice, September 24-26, New Haven, Connecticut.
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The Eugene Conference: The Netherlandish School of Organ Building and its North American Legacy, April 8-11, Eugene, Oregon.
2009
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Mendelssohn and the Contrapuntal Tradition, co-sponsored with the 8th Annual Eastman Rochester Organ Initiative (EROI) festival, October 29 – November 1, 2009.
2008
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Johann Sebastian Bach and the Organ, a symposium in conjunction with the EROI festival, 16-20 October.
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Publication of the first issue of Keyboard Perspectives, the Yearbook of the Westfield Center for Historical Keyboard Studies.
2006
2005
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The Organ as Mirror of Religion & Culture, Temperament, Sound, and Symbolism, a symposium at the new dual-temperament Pasi organ in Omaha. Co-sponsored with Saint Cecilia Cathedral and The University of Nebraska-Lincoln.
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The Italian Baroque Organ: Context, Instruments, Repertory, Performance, co-sponsored by the Eastman School of Music, Rochester, New York.
2004
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The Organ and The Pedal Clavichord, A Case-study in Performance and Pedagogy, co-sponsored by the Eastman School of Music, Rochester, New York.
2002
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Cavaillé-Coll in Oberlin; A Celebration of the C. B. Fisk Organ, co-sponsored with Oberlin Conservatory of Music.
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Beyond Notation: a conference on improvisation in Mozart's time: a conference for fortepianists, co-sponsored by the University of Michigan.
1999
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Organ in the New Millenium, a symposium in Tacoma, Washington in collaboration with Pacific Lutheran University
1998
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Tientos, Tamales & Pajaritos,a Spanish organ workshop in Oaxaca, Mexico
1995
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Spanish Organ Music, a two-part workshop held in Tlaxcala, Mexico and Fremont, California
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Schubert's Piano Music, symposia with public concerts in Washington, D.C., in collaboration with the Smithsonian Institution
1992
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The Historical Organ in America, a symposium in Tempe, Arizona, in collaboration with Arizona State University and the American Organ Academy
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Publication of The Historical Organ in America: A Documentary of Recent Organs Based on European & American Models
1991
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Organ Music in Spain's Golden Age, a workshop at Wellesley College
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Mozart's Nature, Mozart's World, bicentenary humanities symposia presented in Boston and five additional sites nationwide, in collaboration with museums, colleges, and other arts and humanities organizations
1990
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Haydn's Piano Sonatas, conference and recitals at Smith College
1988
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Ornamentation in Bach, a workshop for harpsichordists
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Consideration of Style and Technique in Performing Works of Mozart, a workshop for pianists
1987
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Ludwig van Beethoven: The Piano Music of the Middle Period, a workshop for pianists
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From Scheidt to Buxtehude: German Music in the 17th Century, a scholarly conference with public concerts, in collaboration with Wellesley College. Papers from the conference were published as Church, Stage, and Studio: Music and Its Contexts in 17th-Century Germany, edited by Paul Walker, 1990.
Publication of Charles Brenton Fisk: Organ Builder, two volumes
1984
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Publication of Westfield (formerly Early Keyboard Studies Newsletter), the quarterly newsletter of the Westfield Center
1982-1987
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Eight Summer workshops at Wellesley College beginning with Meantone Temperament: A New Horizon
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Eckhart Selheim plays Schubert
Dancers at a Schubertiade evening at the Smithsonian Institution Susan Tattershall lectures students at Westfield workshop in Tlaxcala, Mexico |