A conference sponsored by the Westfield Center for Historical Keyboard Studies and produced in collaboration with Pacific Lutheran University in Tacoma, WA
Tacoma, WA, April 4–6, 2013
with post conference events on April 7, 2013
Featuring: Gregory Crowell, Charlotte Mattax Moersch, Ed Parmentier, Ignacio Prego, Byron Schenkman and Stephen Stubbs on harpsichord/organ, with Jim Brown, Amanda Forsythe, Pacific Lutheran University’s Choir of the West, Ingrid Matthews, Jennifer Rhyne, Svend Rønning, Nathan Whittaker, and Douglas Williams.
Thursday evening concert (8pm) Ingrid Matthews, violin, Byron Schenkman, harpsichord and PLU's Choir of the West and soloists, + strings and continuo
Friday evening concert (8pm), Ed Parmentier, harpsichord, with James Brown, voice; Nathan Whittaker, cello; Jennifer Rhyne, flute; Svend Rønning, violin Tickets: $15 General admission/$10 Students, SC.
Saturday afternoon, 3PM, harpsichord recital by Ignacio Prego, $10 GA/$5 St.SC.
Saturday evening, 8 PM, Pacific MusicWorks, Stephen Stubbs, Artistic Director, $20 GA/$15 St/Sc
Schedule
Thursday, April 4
5:00-8:00PM - Registration open, Mary Baker Russell Music Building, Lobby (Dinner on your own)
8PM - Concert - Lagerquist Concert Hall
Tickets can be purchased at the door
Byron Schenkman, harpsichord
Dario Castello: Sonata prima
Isabella Leonarda: Sonata duodecima
Georg Muffat: Passacaglia (harpsichord solo)
Heinrich Schmelzer: Sonata quarta
*** Intermission ***
PLU's Choir of the West and soloists, plus strings and continuo
Historia di Jephte - Giacomo Carissimi
Missa Brevis St. Joannis de Deo (Little Organ Mass) - Joseph Haydn
Friday, April 5
9:30-10:30AM - Lecture-Demonstration: Ed Parmentier
10:30-11AM - Break
11AM-12PM - Masterclass: Ed Parmentier
12PM - Lunch (provided) Garfield Book Company, Community Room, 208 Garfield Street
1:30-2:30PM - Lecture-Demonstration: Greg Crowell "Continuo for Organ"
2:30-3:00PM - Break
3:00-4:00PM - Masterclass with Greg Crowell
4:00-4:30PM - Seventeenth and Eighteenth-Century Italian Keyboard Continuo Improvisation and its Application to Buxtehude's Trio Sonatas op. 1 and 2 (Jeong-Suk Bae)
5:30PM - Dinner (provided) Farrelli's Wood Fire Pizza, 210 Garfield Street
8PM - Concert- Lagerquist Concert Hall
Tickets can be purchased at the door
Svend Rønning, violin
Jennifer Rhyne, flute
James Brown, tenor
Nathan Whittaker, cello
Veni, Domine, et noli tardare — Lodovico Viadana (c. 1560-1627)
Amor, io parto — Giulio Caccini (c. 1550-1618)
Cosi mi disprezzate? (Aria di Passacaglia) — Girolamo Frescobaldi (`583-1643)
New concert #11 in C minor/major — Francois Couperin (1688-1733)
Prelude, Allemande, Courantes 1 & 2, Sarabande, Rondeau.
Sonata No. 6 in G minor for violoncello and continuo — Antonio Vivaldi (1675-1741)
Largo, Allegro, Largo, Allegro.
Sonata No 4 (1744) in C minor for violin and continuo — Francesco Maria Veracini (1690-1768)
Preludio, Allegro, Sarabanda, Allegro.
*** Intermission ***
Ye gentle spirits of the air — Henry Purcell (1659-1695)
Fly swift, ye hours
Suite No. 3 (Book I) in G major for flute and continuo — Jacques-Martin Hotteterre (1673-1763)
Allemande: La Cascade de St. Cloud
Sarabande: La Guimon
Courante and double: L'indiferente (sic)
Rondeau: Le plaintif
Menuet: Le mignon
Gigue: L'Italienne
Sonata in A major for violin and continuo, HWV 361 — Georg Frideric Handel (1685-1759)
Larghetto, Allegro, Adagio, Allegro
Canzona No. 8 in G minor, L'Ambitiosa, for basso solo and continuo — G. Frescobaldi
"So schnell ein rauschend Wasser schiesst," from Cantata 26, Ach wie flüchtig, ach wie nichtig —
Johann Sebastian Bach (1685-1750).
Saturday, April 6
9:30-10:30AM - Lecture-Demonstration: Charlotte Mattax Moersch "The Style of Basso Continuo Accompaniment in France According to Denis Delair"
10:30-11:00AM - Break
11:00AM - 12PM - Masterclass with Charlotte Mattax Moersch
12PM - Lunch (provided) Garfield Book Company, Community Room, 208 Garfield Street
1:30-2:30PM - Lecture-Demonstration: Stephen Stubbs "The Conceptual Shift Between 17th and 18th Century Keyboard Continuo"
2:30-3:00PM - Break
3:00-4:00PM - Recital by Ignacio Prego (Winner of the 2012 Westfield International Harpsichord Competition)
Tickets can be purchased at the door
Diferencias sobre la Gallarda Milanesa, Beata Viscera Maria e Virginis, Pavana con sus Glosas
Tiento de 1er tono, Corrente Italiana — Juan Cabanilles (1644-1712)
(From Il Secondo Libro di Toccate, 1637) — Girolamo Frescobaldi (1583-1643)
Toccata Seconda, Aria di Balleto, Toccata Undecima
Toccata Seconda FbWV 102 (Libro Secondo, 1649) — Johann Jacob Froberger (1616-1667)
Partita No.2 in D minor FbWV 602 — Johann Jacob Froberger
Allemanda, Courant, Sarabanda, Gigue
Partita No.2 in C minor BWV 826 — Johann Sebastian Bach (1685-1750)
Sinfonia, Allemande, Courante, Zarabande, Rondeaux, Capriccio
4:00-4:45PM - Panel Discussion: "Everything You Wanted to Ask About Continuo, but Did Not Until Now"
Dinner (provided) Gateway Cottage, 124 146th Street South
8PM - Concert
Tickets can be purchased at the door
Program: Handel's "Apollo e Dafne" and his newly discovered "Gloria"
with Amanda Forsythe, soprano and Douglas Williams, baritone
Sunday, April 7 (Post Conference)
11AM - University-Congregation service (Little Organ Mass)- Joseph Haydn, CHOIR OF THE WEST) Fritts Organ, Lagerquist Concert Hall
3PM - Richard D. Moe Organ Concert, Gregory Crowell, organist; Fritts organ, Lagerquist Concert Hall